22 August 2023 - Big Data ft. Joywave - Dangerous

Big Data is Alan Wilkis, a producer.  His music project is an electronic one.  This song is billed to him and billed as featuring Joywave.  

Wilkis co-wrote the song, but so did Daniel Armbruster, who used to be the other half of Big Data and was, at the time, the vocalist for a Rochester, NY band called Joywave, and its his voice and the band's music you hear in this version.  The song is super bass-heavy, which is cool as heck.

You knew I had to drop Rochester in there.  I lived there for 26 years, after all.  

It's kind of blurry who this should be billed to.  What isn't blurry is that this collaboration is both the biggest hit Big Data ever had, but also the biggest hit Joywave ever had.  

The video is violent and depicts the marketing of an athletic shoe that incites violence.  

The lyrics video took a different approach - showing the dangers of, well, big data.  An accompanying app - which seems to not work anymore - would make a video out of your Facebook timeline.  Seriously.

What also is not blurry is that Joywave doesn't perform with Big Data.  They are separate bands, with separate members.  The male vocalist (who's doing a lot of the electronic work as well) is Alan Wilkis. Not gonna lie, I like this version, too.   

(Update: 4 October 2023) Joywave actually didn't play this song live until 2021.  They chose their hometown of Rochester, NY to pull it out for the first time.  They also pulled out not one, not two, but THREE bass guitars to make sure you could hear that sound from space.

21 August 2023 - Siouxsie & the Banshees - Kiss Them for Me

It took ten albums for Siouxsie & the Banshees to find commercial success in the United States, but they did it in 1991 - with this single.  Yes, it was a more mainstream pop move - some called it a sellout, but they already had a major label deal, so I don't think it was.   

The song took its title from a 1957 Jayne Manfield film - and the song was very much about Mansfield.  It's full of references to her, from the word "divoon" in the 2nd verse (a word Ms. Mansfield was known to use frequently) (notice that Siouxsie is in a heart-shaped swimming pool when she sang that lyric in the video, as that's one of the things the term was in reference to) to the third verse reference to the car crash that killed her (while sparing Mariska Hargitay for a future as Olivia Benson).

I am rarely surprised by my blog.  I knew Siouxie & the Banshees broke up in the 90's and, that was it for them, save for a brief reunion in the early 2000's/   What I did NOT know is that Siouxie Sioux herself is back to performing, after a long hiatus (although she did have a solo career as well), and headlined the Cruel World Festival in Pasadena, CA, this year.

The performance is in a different key than the original, but her stage presence is undeniable.

18 August 2023 - Roxette - The Look

Something I think you didn't know - Roxette had four number one hits in the United States - which is one more than they had in their home country, Sweden.

This song, from 1988's Look Sharp album, was their first in the US (it did not reach #1 in Sweden - the only song, in fact, to top both the US and Swedish charts by the band was "Joyride", which, despite my prior attempt at humour, was not only a minor hit - ironically both their last US #1 and their first Swedish one). 

Dual vocalist/guitarists Per Gessle and Marie Fredriksson played togeher from the mid 1980s until 2019, when Fredriksson passed away from complications from a brain tumor.  Gessle wrote this song as an exercise when he got a new synthesizer and was learning how to operate it.  It's an oddly consructed song, with weird chord progressions that no one reading this blog is going to hear about from me.   

I loved this song from first listen, and yes, I have the 12" single of the song around here somewhere.

As I stated earlier, the band performed together for a long time - until a few years before Marie's death.  This performance is from 2009 - with less epic hair, but just as epic performance.  

The band rerecorded the song in 2015, as part of an advertising campaign - with a new mix and new vocals.  It would be a Swedish Top 40 hit.

It's a different song - far more focused on electronic music and tuned to the slightly reduced vocal ranges of Fredriksson and Gisele.  It wasn't the last thing Fredriksson would record (they released another album in 2016) but it's one of the last, and that makes it somewhat sad.  

Marie toured with Roxette and announced that she could not any longer in 2016.  You can see her still performing her heart out, even sitting down, in 2015, which was one of her last live performances.

Per Gessle briefly reuinted the band in tribute to Marie under the name PG Roxette.  They did a tribute show for her and of course included this song - with him singing some of her part and other background singers picking up the rest.

17 August 2023 - Björk - Big Time Sensuality

Let's talk about Björk Guðmundsdóttir.  

She's not your typical pop star, and yet, you know who she is..... and not just because she wore a swan dress to the Oscars. 

No joke, this dress has its own Wikipedia page.  Photo credit: Cristiano del Riccio

She got her start at the age of 11, as a children's artist, and then started and joined a bunch of bands in her native Iceland.  Eventually, she joined a supergroup called Sykurmolarnir, which in English translates to The Sugarcubes.  That band released three albums to worldwide acclaim before breaking up... partly because their record label - Smekkleysa, or Bad Taste in English - was taking a lot of time (and still does - the band members still run it today) and mostly because Björk was a hot commodity and in demand for a solo career.

Her adult solo debut, called Debut, was an international smash hit.  This song, which was very much in the style of house music, was a huge club hit and a minor pop hit, her first to hit the US Billboard Hot 100.  Co-written by Björk and producer Nellie Hooper, it is a song not necessarily about sexuality but about bravery.  

Björk was - is - known for her unusual voice and ability to incorporate primal scream into her performance.  Nowhere is that more apparent than in the live performance of this song, which is of course a staple of her performances.

I wanted to share this rare performance with Talvin Singh (he's the guy on the Indian drums 0and a well-knwon virtuoso on them) & Guy Sigsworth. which is a lot more stripped down and quieter.  Björk's childlike raspiness really shines through here. 

The version she did for MTV Unglugged was different still - with more Indian-influenced instuments and less of the synthesizers that were the hallmark of the original.  

16 August 2023 - Pet Shop Boys - West End Girls

I like to chose songs with an intresting story.  This is one of those songs.

If you are reading this in the United States, this is not the Pet Shop Boys song that hit the top of the charts.  This is the original version of the song, released by the group in 1984, produced by Bobby Orlando.  

If you are reading this in the UK, or were a clubgoer in the mid-1980's, you may recognize Bobby Orlando's attempt at British rap.  

In 1985, the Pet Shop Boys got signed to EMI records and rerecorded this song.  Whereas the original featured Orlando's instruments and samples, this version featured none of that - and was mostly created on synthesizers.  It was also less rap and more Neil Tennant talk-singing.  

This version resonated better, topping both the US and UK charts.  

This version is also a little darker and more haunting - kind of like audio film noir - and an objectively better song.  

It should come as no surprise that this is their best known song and biggest hit, although they've certainly had other hits.

The audience still knew the song a full 25 years after its initial release.

In 2022, the Pet Shop Boys changed the lyrics of the song, from "Finland Station", which is in Russia, to "Kviv Station", in Ukraine - by the way, it was called Kiev in 1984 - in solidarity with Ukraine in light of the invation by Russia.

Also, Neil Tennant has not lost a BEAT off this song or off his voice - after performing it for 40 years!

15 August 2023 - They Eat Their Own - Like A Drug

As many of you know, I was a college radio DJ.  As such, I had early access to music, some of which was on the fringe of music in the early 1990s.

That includes They Eat Their Own, an LA-based band founded by vocalist Laura B. (Baricevic) in or around 1989, which was together until about 1994.  They didn't have a lot of success, but they had that ONE SONG and that ONE VIDEO.

This is that song.  Released in 1990 or 1991, it got a fair bit of airplay and got the band a major label deal with Geffen Records.... that ended up imploding before anything came of it.  This song, however, is absolutely amazing.

Of course, they wouldn't have gotten their single released at all if they didn't perform live extremely well.  This version, performed live at the LA Music Factory, predates the studio recording, and it's sparser, but still great.  Laura is a terrific frontwoman.

I said "is" for a reason.  You see, after TETO broke up, Laura B. hopped around the country for a bit, settling in Pittsburgh, PA.  She started a band called The Off Labels, and they performed a lot of her old stuff.... like this song.  Have a listen to this performance from 2014. 

14 August 2023 - Trey Parker ft. Matt Stone - Kyle's Mom's a Bitch (in B flat minor)

This was an outtake from last week, where there was a lot of sugary sweet songs.  Plus Metallica.

We had to combat the saccharine.

So, we did it with South Park.  Season 1, Episode 10.

The song is far from politically correct, and features Eric Cartman (voiced by Trey Parker) repeating an insult about Sheila Broflovski, who happens to be Kyle's mom.

Kyle, voiced by Matt Stone, did not appreciate the song.  

In 1999, the Academy Award nominiated film South Park: Bigger, Longer and Uncut, was released.  An extended, uncensored version of this opus was included with the movie, as it should be.  

By the way, there's almost one "bitch" per second in this version.

Of course, it's more meaningful to see Trey Parket and Matt Stone actually perform this thing of beauty live.  They did just that at the 25th anniversary concert.

Yes.  South Park is old enough to rent a car.

The testimonial to this song is how many people know and love this song.  It's a classic - more so than the theme song.   

It's also incredibly crude.

The orchestral rendition is only a little bit less crude.