What other Awkafina is there? Geez, we're not talking about water here. No, we're talking about the Golden Globe Best Supporting Vag Actress winner.
No, we're talking about Awkafina's vagina today. You know, her vagina is fifty times better than a penis.
You will be laughing straight through this incredibly politically incorrect song, which, believe it or not, put Nora Lum from Queens on the map - you can draw a straight line from this song right to her voice role in The Little Mermaid - but at the same time, you're going to be hearing this beat in your head all day.
This was the second single off Earle's 1988 breakthrough Copperhead Road album - and, as a country-rock album, it was outside my wheelhouse from a musical taste standpoint. However, off the strength of "Copperhead Road", the single, I purchased this album.
The standout for me wasn't the title song (which I liked for a while but grew tired of), but, rather, this gritty song about homelessness. The video supports it - directed by Meiert Evis and featuring homeless people. Written by Earle, the entire album and this song in particular cemented his legacy as a great storyteller.
Yes, Earle still performs this song live. Here he is in 2018, 30 years after the song's initial release (yes, this song is 35 years old this year), performing it as gritty as ever in New York City.
We were watching The Handmaid's Tale on Hulu the other day and we noticed that there was a young actress who was playing a character that was mature beyond her years. The character was Esther Keyes, and the actress was 16-year-old Emmy nomineee Mckenna Grace - and she is the youngest-ever Emmy nominee in any of the Best Guest Actor categories (and 10th youngest nominee in ANY category). We know that 2nd part because we had to do a little research on this young actress.
Turns out she's an actress who sings - and has released several singles. According to her website, she started this as a creative outlet during the pandemic, which, of course, did limit acting opportunities. Music allowed her to get her emotions out.
This single was released in November 2022 and was co-written by Grace. The song itself was in the pop-rock genre that she's gravitated towards at this point in her young career. The video was filmed after the actress's surgery to correct a scoliosis-casued 45 degree curvature to her spine (which she SHOWS you at the 2:00 minute mark of the video - yeah, that's her back). It was directed, written, and edited by her, as she was pretty much confined to a chair in the weeks following her surgery (a doctor's directive she ignores at the 0:48 mark of the video).
I exprect great things in the future, both in acting and music.
Very soon after this video was performed, she seemed to be walking just fine - and she shows off the scar as she performed the song live.
The Lemonheads is really one guy - Evan Dando - pretending he's a band with a bunch of whatever friends happen to be available at the time. That included people from other Boston bands, session musicians, and at two different times, a couple of Blake Babies (another band he was a member of).
This was a single from their 1992 breakout album, It's A Shame About Ray. Written by Dando, the cheery-sounding song is about a guy who wanted to love someone but just couldn't, and instead decides to be alone. The fourth and final single from that album, it was a minor hit in the UK.
It also happens to be one of my favorite songs by the band.
The Lemonheads are still together, and still performing this song live, thirty years later.
There was a time when Huey Lewis & The News were my favorite band. I loved Sports. Their early work was a little too new wave for my tastes, but when Sports came out in '83, I think they really came into their own, commercially and artistically.
Then Fore! came out and exploded, and I remember finding the first single off the album to be rather bland, so I moved on.
Then they released their second single, which was all about how not actually cool they were - and I remembered why I liked them again. The song is not just about the pleasures of conformity, and the importance of trends, it's also a personal statement about the band itself. That's not an original thought by me. It's a quote from American Psycho, a film in which this song was featuted. It's also not the first American Psycho quote I peppered in here, so start hunting.
This song was a #3 hit for the band in 1986, and featured background vocals from Football Hall of Famers Ronnie Lott and Joe Montana, who at the time were playing for Huey's hometown San Francisco 49ers.
This song appears on both the band's 1983 debut album The Secrets of The I Ching and their 1985 major label debut, The Wishing Chair. It is a song that longtime fans clamor to hear live (and in my times seeing them live, I did hear it a couple of times).
"My Mother The War" is the rare song with lyrics not solely written by Natalie Merchant from the early days of 10,000 Maniacs - it was co-written with Michael Walsh, with John Lombardo writing the music in the style that was so distinctive for the early days of the band.
I don't know what else to say about this except, go Jamestown!
The band is still around, although Natalie left the band in the mid-90's (despite what you may have heard, it was amicable). Here is not-usual-vocalist John Lombardo singing the song during a sound check in 2022.
Here he is singing it in 2015 - you can see usual vocalist Mary Ramsey walk off stage as they play the song that defined the early band she wasn't part of (although she comes back).
In 1976, Motown artist Charlene released a single that was widely considered to be a flop. It reached a whopping #97 on the Billboard Hot 100 charts.
She was subsequently dropped from her label, married an Englishman, and moved to the United Kingdom to work in a sweetshop.
The single would have been forgotten if not for a little-known DJ named Scott Shannon, at the time on the radio in Tampa, Florida. His girlfriend loved this song, and in 1982 urged her boyfriend to play it - which he did. Listeners loved the song, and so Shannon, who used to work for Motown Records, made a few phone calls to his old bosses about the hit potential of the song.
So, imagie that you've left the music industry, largely feeling like you've failed, only to get a call from the president of Motown Records telling you that you weren't a failure and, indeed, he wanted to resign you to his label. Charlene doesn't have to imagine, that, because that's what happened to her.
The second time around, the song was a worldwide hit, hitting #3 in the US and #1 elsewhere. It was also a crossover hit, with country radio picking up the song as well.
The song revived her career, and although her time on Motown would only last a few more years. leaving her a one hit wonder in the US (she did have more hits in Europe), she has built a career that still continues to this day, including recording new music as of 2022.
The song recieved something of a resurgence in 1994, with the release of the Australian movie The Adventures of Priscilla, Queen of the Desert, which you should go watch right now. This song was performed by Hugo Weaving as a female impersonator - an audience that truly embraced this song in real life.
Unusually, Charlene did re-record the song - but only in Spanish. This ended up being a B-side of a follow-up single, which didn't nearly match the runaway success of "I've Never Benn To Me".
