Remember music programs when they made the artists lipsync?
On this ninth annual Darling Buds Day, we go back to the late 80's and Top of the Pops, where there were no cables or microphone cords to trip over and the band sounded studio-fresh.
They STILL rocked it.
There was an official video for this song, too. This way, you can hear the whole song.
Will we be able to do this in Year 10? Well, the Darling Buds are rumoured to be in the studio, so I am guessing we will.
04 May 2020
4 May 2020 - Crosby, Stills, Nash and Young - Ohio
On May 4th, 1970, at Kent State University in Ohio, National Guardsmen opened fire on students protesting the US bombing of Cambodia, a neutral party during the Vietnam War. Four people were killed, and nine were wounded.
Neil Young saw the pictures of the incident in Life Magazine and wrote this song. Released in June 1970, the song was a top 20 hit - despite being banned on many radio stations for its indictment of the Nixon administration - and a poignant reminder of what had happened on that fateful day.
The incident and the song sped the tide of sentiment already turning against the US involvement in Vietnam. The massacre in Ohio is one of the darkest moments in American history, and this song brilliantly captures the nation's feelings. Music can really capture and sway a culture, and this song is perhaps the best example of that.
Here's Young performing his song solo.
 |
| The poster announcing the protest at Kent State |
Neil Young saw the pictures of the incident in Life Magazine and wrote this song. Released in June 1970, the song was a top 20 hit - despite being banned on many radio stations for its indictment of the Nixon administration - and a poignant reminder of what had happened on that fateful day.
The incident and the song sped the tide of sentiment already turning against the US involvement in Vietnam. The massacre in Ohio is one of the darkest moments in American history, and this song brilliantly captures the nation's feelings. Music can really capture and sway a culture, and this song is perhaps the best example of that.
Here's Young performing his song solo.
01 May 2020
1 May 2020 - KONGOS - Come With Me Now
John Kongos was a bit hitmaking musician in the early 1970s, best known for his hits "He's Gonna Step On You Again" and "Tokoloshe Man" (both covered by the Happy Mondays)
Kongos had four sons who went on to form their own hitmaking band, KONGOS. They made their own label - Tokoloshe Records - to release their music. Part of the result of that was this song - which you might have heard if you paid attention to big action movies or the WWE - because it became a big hit and directly resulted in their major label record deal.
It's a rare rock song not starring Weird Al that features a lead accordion so prominently - and yet this one does, giving the song a bit of a folksy feel without being folk music. All four brothers sing and harmonize well... which is something they got from their father.
Also, check out the musically synchronized lipstick (and blowdried hair).
KONGOS is still around and still touring and releasing music. Here's a taste of them performing in Toronto in 2019.
Kongos had four sons who went on to form their own hitmaking band, KONGOS. They made their own label - Tokoloshe Records - to release their music. Part of the result of that was this song - which you might have heard if you paid attention to big action movies or the WWE - because it became a big hit and directly resulted in their major label record deal.
It's a rare rock song not starring Weird Al that features a lead accordion so prominently - and yet this one does, giving the song a bit of a folksy feel without being folk music. All four brothers sing and harmonize well... which is something they got from their father.
Also, check out the musically synchronized lipstick (and blowdried hair).
KONGOS is still around and still touring and releasing music. Here's a taste of them performing in Toronto in 2019.
30 April 2020
30 April 2020 - Chicago - Hard To Say I'm Sorry
"Hold me now
It's hard for me to say I'm sorry."
Man, don't we all feel that?
This very beautiful song about longing and trying to make things right was Chicago's 2nd #1 hit, in 1982. In a bit of a departure from other Chicago songs, 1) it doesn't feature much in the way of horns, and 2) it features musicians that were not members of Chicago in supporting roles, including three members of the band Toto.
Peter Cetera's longing voice matches well with the lyrical content and the early 80's sound. I hope you enjoy it!
It's hard for me to say I'm sorry."
Man, don't we all feel that?
This very beautiful song about longing and trying to make things right was Chicago's 2nd #1 hit, in 1982. In a bit of a departure from other Chicago songs, 1) it doesn't feature much in the way of horns, and 2) it features musicians that were not members of Chicago in supporting roles, including three members of the band Toto.
Peter Cetera's longing voice matches well with the lyrical content and the early 80's sound. I hope you enjoy it!
27 April 2020
27 April 2020 - Oingo Boingo - Stay
There was a time when there was a band named Oingo Boingo, fronted by a man named Danny Elfman. They had a fair amount of success with the theme from the movie Weird Science and an appearance in the movie Back to School, the latter of which Scott wrote about several years ago.
Elfman would go on to be a big time movie score guy and be embarrassed by Oingo Boingo. He shouldn't have been. They were amazing.
This is not a fun and happy song. It's a love song. Specifically, it is a song in which the protagonist is begging his significant other to stick around and work through their problems, rather than running away. Comparing their relationship to many things that it isn't, it's a much deeper song than you would have expected from Oingo Boingo at the time - and remains one of my favorites.
After the music industry changed and left the sound of Oingo Boingo behind, they struggled to reinvent themselves, but ultimately threw in the towel in 1995 with a huge farewell show. Here is the band, performing this song for the last time.
The song was not a huge hit for the band in the States, but, oddly, it was in Brazil, where it was used in a telenovela named Top Model. That's not a joke.
Hence, there were several Brazilian bands who have covered this song - and you can see them over on Totally Covered right now!
Elfman would go on to be a big time movie score guy and be embarrassed by Oingo Boingo. He shouldn't have been. They were amazing.
This is not a fun and happy song. It's a love song. Specifically, it is a song in which the protagonist is begging his significant other to stick around and work through their problems, rather than running away. Comparing their relationship to many things that it isn't, it's a much deeper song than you would have expected from Oingo Boingo at the time - and remains one of my favorites.
After the music industry changed and left the sound of Oingo Boingo behind, they struggled to reinvent themselves, but ultimately threw in the towel in 1995 with a huge farewell show. Here is the band, performing this song for the last time.
The song was not a huge hit for the band in the States, but, oddly, it was in Brazil, where it was used in a telenovela named Top Model. That's not a joke.
Hence, there were several Brazilian bands who have covered this song - and you can see them over on Totally Covered right now!
17 April 2020
17 April 2020 - Liz Phair - Polyester Bride
Girly Sound.
Those of you who are Liz Phair fan know approximately what Girly Sound is. For those who don't, or only know about it casually, the Girly Sound tapes were early releases self-produced by Phair in the early 1990's - Girly Sound being her stage name at the time - that led directly to her record deal. There were actually three of them - Yo Yo Buddy Yup Word To Ya Mutha, GIRLSGIRLSGIRLS, and Sooty.
I know what you're thinking (and no - it has nothing to do with how many shots I took). "Why is he mentioning these lo-fi recordings when today's entry is clearly well produced?" It's an excellent question, as this song was the opening single from Phair's third studio album whitechocolatespaceegg. However, it was a rewrite/rerecording of a song from GIRLSGIRLSGIRLS. So, all those years later, she was still using her Girly Sound stuff as a library.
whitechocolatespaceeg, unlike her previous work, came after she got married and had a kid - it wasn't just about sex, which Exile in Guyville and Whip-Smart clearly were. So, this song, written in her overtly sexual era, was reimagined as a more introspective and less sexual piece.
Compare this version to the GIRLSGIRLSGIRLS version. First of all, it's a lot longer - so budget some time. It's also a slower, sparser and I think sadder song - and more self-deprecating. And Henry, her bar-tending friend seems to be more of a dick.
Phair still tours, and was supposed to be opening for Alanis Morrisette and Garbage this year on their tour. I hope that still happens, but until then, here's a live performance from 2018.
Those of you who are Liz Phair fan know approximately what Girly Sound is. For those who don't, or only know about it casually, the Girly Sound tapes were early releases self-produced by Phair in the early 1990's - Girly Sound being her stage name at the time - that led directly to her record deal. There were actually three of them - Yo Yo Buddy Yup Word To Ya Mutha, GIRLSGIRLSGIRLS, and Sooty.
I know what you're thinking (and no - it has nothing to do with how many shots I took). "Why is he mentioning these lo-fi recordings when today's entry is clearly well produced?" It's an excellent question, as this song was the opening single from Phair's third studio album whitechocolatespaceegg. However, it was a rewrite/rerecording of a song from GIRLSGIRLSGIRLS. So, all those years later, she was still using her Girly Sound stuff as a library.
whitechocolatespaceeg, unlike her previous work, came after she got married and had a kid - it wasn't just about sex, which Exile in Guyville and Whip-Smart clearly were. So, this song, written in her overtly sexual era, was reimagined as a more introspective and less sexual piece.
Compare this version to the GIRLSGIRLSGIRLS version. First of all, it's a lot longer - so budget some time. It's also a slower, sparser and I think sadder song - and more self-deprecating. And Henry, her bar-tending friend seems to be more of a dick.
Phair still tours, and was supposed to be opening for Alanis Morrisette and Garbage this year on their tour. I hope that still happens, but until then, here's a live performance from 2018.
16 April 2020
16 April 2020 - Madonna - Ray of Light
I usually start this posts with the official video - because, you know, that's how most people know the song.
I'm not doing that this time. That's Madonna with a guitar, people. We need to appreciate this. And, although this in its original form was electronic-driven (albeit with a significant guitar piece), I kind of dig this version.
So, before I get into some random facts about this song, I wanted you to rock out to Madonna.
I mean, we're of COURSE going to have the official video here, too. It's really good, too. It's not just good because it's a great electronic dance tune (that, by the way, I just made you rock out to). It's good because Madonna's energetic performance - not only vocal, but visual - is mesmerizing.
The song itself, largely written by Ms. Ciccone, was written in the aftermath of the birth of her daughter and her career-changing turn in the movie Evita. It remains to this day one of my favorite Madonna songs. Interestingly, it was purposely produced, musically, just outside of Madonna's vocal range. When you hear her straining to reach the notes, that's real. And it's spectacular.
I'm not doing that this time. That's Madonna with a guitar, people. We need to appreciate this. And, although this in its original form was electronic-driven (albeit with a significant guitar piece), I kind of dig this version.
So, before I get into some random facts about this song, I wanted you to rock out to Madonna.
I mean, we're of COURSE going to have the official video here, too. It's really good, too. It's not just good because it's a great electronic dance tune (that, by the way, I just made you rock out to). It's good because Madonna's energetic performance - not only vocal, but visual - is mesmerizing.
The song itself, largely written by Ms. Ciccone, was written in the aftermath of the birth of her daughter and her career-changing turn in the movie Evita. It remains to this day one of my favorite Madonna songs. Interestingly, it was purposely produced, musically, just outside of Madonna's vocal range. When you hear her straining to reach the notes, that's real. And it's spectacular.
Subscribe to:
Posts (Atom)