This song was written and produced by Jim Steinman and was Bonnie Tyler's biggest hit by a long shot - becoming one of the hugest hits worldwide in 1983. It is a sad song - and one that's probably going to make you cry if you are prone to that. Originally clocking in at seven minutes, the radio version was around the four minute mark.
The song was Grammy-nominated, and would have likely had more had it not come out the same year as Michael Jackson's Thriller album.
Still, it's made Bonnie Tyler the name you know today.
And, oh yes, she did perform the song at the Grammys. And it was spectacular. Her husky voice shone strong that night.
I knew it was a possibility that Flower Face would come out with new music soon, and starting in late February, she started teasing a new video and a new song. There are very few posts I would not have immeduately bumped in favor of a brand spanking new Flower Face single. Maybe not The Beaches, but anyone else.
Well, she would release it just after March was done. April 4th, 9pm Eastern time. As I am writing this post, the song has been out for less than an hour, and now I'm rescheduling my Friday post to get this out, quickly. I just moved it to next week, so no big deal.
Seriously, she was very public on social media when she was recording her new album, and now a single is out. It still is written and performed by Flower Face, and it still features her rich, soft voice. It has a slightly more poppy sound - and her lyrical maturity shows through strong here. I can't wait to hear what comes next.
I suspect this is going to be in my heavy rotation for the next several weeks. I hope you enjoy it.
I seriously, SERIOUSLY debated whether this song from the Barbie movie deserved to be here - and not on Totally Covered.
Gayle is listed as a songwriter. She absolutely did lift the chorus from the Crazy Town song "Butterfly", The original songwriters are listed. But what Gayle did almost could be defined more as a sample than as a cover.
And, let's be clear. whereas the Crazy Town song is listed as one of the worst singles of all time (which means we will post about it eventually), Gayle's version absolutely slaps. It is NOT laid back, but instead a straight-ahead hard rock song.
Gayle has a condition called chromesthesia - in which sound invokes a color response. We wonder what colors she sees when she performs this song.
By the way, it's also a song that sounds absolutely terrific live. And seems to be very pink.
Thanks for sticking with me through my fourth #MapleLeafMarch. I didn't think it would last, and I didn't think it would change my musical taste forever, but both of those things happened.
I also didn't think I'd have to push a post from March to April 2nd just to make sure it was posted in a timely manner. For those who are regular readers of this blog, I asked a couple of days ago, "Why the hell couldn't I just move Lights?" This is the post I was referencing. I ended up moving it for something ELSE important.
At this point, I know what a Lights release cycle looks like at this point. This is the point where she ends an "era" - in this case, the "PEP" era - and spends time collaborating with other artists.
Well, in this case, it's an artist she's worked with before. Felix Cartal is a Canadian DJ - Vancouver - who has done a LOT of great collaborations. This is their latest one - written by Cartal and Poxleitner-Bokan (because she does have a last name) (also, Felix Cartal is a stage name - Taelor Deitcher is his real name) (how the hell is Lights NOT just a stage name but Felix IS?!) (InB4 "but she was born Valerie" - I know! I know! You do know who you are talking to here, right?) released in February - and it is, once again, phenomenal.
Also, sorry about all the Lights recently. But I couldn't ignore this one.
Well, she's an independent musician and something of a TikTok and Instagram influencer. She's a single mom to a tween. She's kind of a hippie. She's very comfortable with her own body, clearly.
She also writes very positive music - borderline hippie. And it seems like the combination of her free spirit public image, her embracement of psychedelic drugs in some of her music, and her positivity really pissed people off on Twitter X....
....enough to get her to join Twitter X and bring her positivity there.
I don't understand the hate - she seems genuinely kind and goes out of her way to interact with her fans. I love her! Her sweet spirit is absolutely infectious. Also, proving that there's no such thing as bad publicity, the attention has hepled bring her music to a broader audience.
This song is from her 2021 album Lioness and it's a very ethereal, very light song - I'd almost say atmospheric.
This absollutely bonkers song is based on a really long German tongue twister.
It's about a small-town woman named Barbara who is really well known for her rhubarb cake. She opened Barbara's Rhubarb Bar, which was discovered by barbarians. They would come to be known as the rhubarb barbarians (rhubarbarians?).
We're 30 SECONDS into the song at this point.
Over the years, the barbarians mellowed. They became, in Barbara's words, kinder, more than even Barbapapa, who, by the way, is a nice pink blob from a kid's book.
Barbapapa
However, the barbarians were very hairy, and they grew really shaggy barbarian beards, which Barbara did not find special at all.
You have to know where this is going.
She sent them to a barbarian beard barber. He even styled their entire barbarian heads in his barbarian beard barber shop. After they were done, the barbarians invited the barbarian beard barber to Barbara's rhubarb bar. They drank a beer together at the bar, the rhubarb barbarians and the bearded barber, and they ate a piece of rhubarb cake without any barbarism.
These tough men became very approachable, all thanks to Barbara's rhubarb!
So, three barbarians and the bearded barber were sitting in the bar one evening having a beer. Then, the police came, looking for the Three Barbarians and the Bearded Barber.
1:27, we're done.
And now, you've enjoyed a delightful German tongue twister.
This year, we had WAY too much content. We almost doubled up on weekdays - and DIDon some days. The Beaches getting pushed to a weekend feels wrong.
And yet, here we are.
Why the hell couldn't I just move Lights? (Editor's note: Yeah, we did end up moving Lights to another day OUTSIDE OF MARCH because this month was THAT packed, so there's no link there!)
The Beaches are a Toronto band that have been around for a decade, and finally broke through to US alternative radio in 2023 with this absolutel banger. As of the time I am writing this, they are nominated for two Juno Awards this year (Group of the Year and Rock Album of the Year, for Blame My Ex, who absolutely is a real ex of Jordan Miller named Brett) (edit: they WON both of those Junos), but those were awarded last week as of the time you are actually reading this, so hopeful we remember to update this post. (Edit: we did but a little bit late)
We really feel badly for relegating this absolutely great song to a weekend. We're going to promote the hell out of this post.
But, to be fair, they really ARE up and coming. They only just appeared on Jimmy Kimmel's show last month.... and they were spectacular.
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Here is the band in Ottawa last summer, performing the hell out of this song. They give off a Go-Go's vibe, and not Loverboy, for sure.
We promise to post more of them on weekdays in the future. We may not even wait until next March.
When possible, I like to include concert footage with a personal connection. My sister went to their show in Toronto on Nov. 1, 2023 - and got footage of this song.
