20 June 2012 - Boston - Let Me Take You Home Tonight

When Boston released their third album, Third Stage, in 1986, it was a pretty big deal.  First, they hadn't released anything in eight years, so it was hotly anticipated.  Second, they used no synthesizers to get their signature dreamy sound.  Tom Scholz was the heart of the band, and invented the Rockman amplifier to replace literal tons of soaks and stacks and retain the Boston sound.

This is a song from their first album, and features the soul of the band, Brad Delp, on vocals. It is, and always has been, my favorite Boston song.  Of course, in 1986, I was too naive to realize that it was a protracted cheesy pickup line - now that I do, I appreciate the song even more.   As an aside, this was recorded almost thirty years after the original recording in 1976, and Brad Delp still sounded fantastic. Sadly, he would commit suicide less than three years after this 2004 performance.

19 June 2012 - Kate Nash - Foundations & Under-estimate The Girl

Kate Nash has been all over the music news lately (and trending more than a few times on Twitter). Here's why in a nutshell: her pop fans hate the riot grrrl sound of her new song and the punk/alternative snobs find it insulting that a pop star would dare enter their music world. It's all just silly. While I love her old sound and hope she doesn't ditch it entirely, Under-estimate the Girl might be the coolest freakin' song I've heard in years. So I present to you both sides of Kate Nash.

First up is a song from her debut record that hooked me the first time I heard it.



And here's the new song...which I've listened to about 8 zillion times since it was released last Friday.

18 June 2012 - Adrian Belew - Oh Daddy

A happy belated Father's Day to all you fathers out there.  Adrian Belew (from King Crimson, and later David Bowie's musical director on tour) released this single in 1989, and featured his 11-year-old daughter Audie.  Since I have an 11-year-old daughter, this seemed appropriate.

No, I am not releasing a single with my daughter.

16 June 2012 - OMC - How Bizarre

The biggest hit to come out of New Zealand, ever, How Bizarre was a huge, unexpected hit in 1996.  HUGE.  The song was everywhere.  It was a cool, laid-back summer song, perfect for cruising down the road.  Which they do in this video. A lot.  Some people love it; some people hate it.  No one can deny that it was huge, and huge everywhere.

Sadly, Pauly Fuemana, the lead vocalist of this band, passed away in 2010 at the age of 40, a vicitim of a rare respiratory disorder.  His death caused a resurgence of interest in this song.
 

15 June 2012- Lady Sovereign - So Human

I've been a fan of Lady Sovereign from her very first single, even as she was trying really really hard to be offensive and in-your-face.  Needless to say, as she was trying to be like that, the press (in the UK) was not kind.

This song, which talks about the depression of being slammed publicly, is from her 2nd album, and heavily samples The Cure.  She's clearly playing in a genre not typically attempted by short, white British girls.  Having said that, she clearly understands hip-hop and performs it well, yet still remains true to herself and her own style.  I enjoy her, and I hope you do too!

Also, Lady Sov, if you are reading this, please come to the States and tour.  I'd come see you!

14 June 2012 - Split Enz - I Got You

Thankfully, I decided to kill off the name New Wave Thursdays (it was just a horrible name). New Wave Wednesdays would have worked, but I don't post here on Wednesdays so that obviously would have been an even dumber name. What to do? Plus, there was some question as to what was New Wave and what wasn't. Too much of a mess for me to handle. In the end, I decided that 80s Thursdays is a bit better (emphasis on "bit").

So, let's kick off the "new and improved" 80s Thursdays with New Zealand's Split Enz and their 1980 pop classic I Got You.

13 June 2012 - INXS - Not Enough Time / Suicide Blonde

I was, at one time, married to the biggest INXS fan this side of the Mississippi River.  A truly underrated 6-piece band from Australia, they were really big hit makers for awhile.  I got a great chance to appreciate all of their music, including the stuff that no one else heard because it came outside their hitmaking window.

One of these songs was the 2nd single off their 1992 album - which I think is their absolute high water maker - Welcome To Wherever You Are.  It peaked at #28 on the US charts, and was also featured on the official 1992 Summer Olympics CD.  It's also a densely layered, clever pop-rock power ballad. Instant, underappreciated classic.

That's not to say that some of their hits weren't really fun songs.  Take this one, one of their last big hits, from their album X - it was meant to designate a ten year anniversary.  This song, which peaked at #9 in the US - it would be their penultimate top 10 hit here - is a great, jangly, fun song. The title was reported coined by fellow Wicked Guilty Pleasure Kylie Minogue (who Michael Hutchence dated for awhile) who had to bleach her hair for a movie role.

I don't care that Suicide Blonde was a big hit.  I still love the song.