8 April 2021 - Tame Impala - Elephant

Sometimes, a song is so mind-blowing and transcendent that I have to drop everything and reschedule posts just to make sure I fit them into these blogs as soon as possible. 

This 2013 song from Australian psychedelic band Tame Impala is not that song.  It is, however, a great song, that combines blues and psychedelic elements with a fantastic guitar riff that defies understanding.  One of Kevin Parker's oldest songs, it was pulled out and recorded in 2013, and ended up being one of the band's most successful songs.  

Lyrically, the song is a bit naughty - the trunk of the elephant is clearly metaphoric-  and not just a tribute to Death From Above 1979 - and, for that reason, Kevin Parker found the song "shallow", but it isn't.  It's rich and deep and sultry, a musical and lyrical journey.

(Also, when you go over to Totally Covered and see who sings about "shakin' his big grey trunk for the hell of it", your jaw is going to hit the floor.)

Here is the band playing an extended version of the song, readily admitting how appropriate the song is for getting "down and dirty."  

7 April 2021 - DJ Khaled ft. Cardi B & 21 Savage - Wish Wish

DJ Khaled is a very humble man.

But in this song, 21 Savage and ESPECIALLY Cardi B steal the show.  Between the two of them, there is not a single low moment - no down time, no pause - in this song.  And yet, the song does not feel rushed. 

To his credit, Khaled is happy to give the spotlight to artists he clearly respects.  This is the second time he had collaborated with each of them.

The three featured artists co-wrote the song with producer Tay Keith.  "Wish Wish" peaked at #19 on the US pop charts.

6 April 2021 - Phantogram - Running From The Cops

I felt like this excellent tune, from the Phantogram album Eyelid Movies, is an appropriate post in a week when Derek Chauvin is currently on trial for his part in the death of George Floyd in police custody.

That's as political as we are going to get with this post.  

Clearly, the protagonist in this song - sung by Josh Carter and not Sarah Barthel - is not a fan of the cops.  Neither is the guy who made the video, Naje Lataillade, who very much thought through the imagery used.  In Naje's words:

"...a sexy police woman comes into frame and gives chase to the crowd. The hipster wearing the PHANTOGRAM shirt is scared for his life. As we watch, we think, "Oh I get it, the song is called 'Running From The Cops'", but there is only one cop, not plural cops. Well, here in Brooklyn, cops equal pigs. So the next character to come out is a freak with a pig nose, dressed in all pink, carrying a bottle of swine flu. He looks angry and like he wants to raise hell. This explains why the people in the beginning were wearing medical masks, as he's spraying the swine flu everywhere. Even the cop is running from because swine flu kills 'pigs'."

The video is mostly in black in white, but there are splashes of blue and red/pink in the black and white.  Those two colors are what are required to make a phantogram, the technology you may have seen in your 3D glasses of the 1980s.

It is interesting to watch the performance of this song from 2009.  It is a song that is not only performed, but constructed and looped, synthesized to the nth degree to create something noisy and chaotic and beautiful.  Second note:  they're both multiinstumental.

With a fuller band, like they had in 2014, the song is still chaotic, but less electronic and looped, and more direct.  If you happen to have one of those old pairs of 3D glasses, now might be a good time to put them on.

5 April 2021 - St. Vincent - Los Ageless / The Melting of The Sun

Even though we've featured Annie Clark here before - yes, Scott beat me to St. Vincent just like he beat me to Lights - it's likely none of you know who she is.  

Or, at least, until you watched Saturday Night Live this weekend, right?  Full disclosure, I'm writing this the day BEFORE she's scheduled to appear, and I didn't know about it until I started doing research for this post.  In fact, because I discovered that fact, I moved this post to Monday.  You deserve instant gratification.

It's a shame it took SNL to bring her to your attention, but here we are. Her music is poppy yet dark.  Her 2017 album MASSEDUCATION is a revelation of sorts. This song, the second single from that album, is a commentary on the culture of Los Angeles, purposefully layered on top of distorted guitar and synth lines.   

It's somewhat easy to lose the message in the synth of the song, but in 2018, St. Vincent released an piano version of the album, calling it MassEducation - see what she did there?  She also performed the song live in an acoustic guitar version - here's an example of that. Notice how she retains the desperation of the third verse, even with a sparser accompaniment.   

If you are here to hear the song St. Vincent performed on SNL this weekend, here it is.  Her new album, Daddy's Home, is due to be released May 14th, and, since it's the first since MassEducation, we're pretty excited for it.

2 April 2021 - Urge Overkill - Sister Havana

I promise you I didn't intend to wean you off of a month of Canadian music with back-to-back 1993 songs by Chicago bands.  

It just happened this way.  

What also just happened on the whole Saturation album was that Nash Kato, who wasn't the band's normal lead vocalist, sang lead vocals.  I wasn't a huge fan of the band before this album, so it was a good thing for me....

1 April 2021 - The Smashing Pumpkins - Today

Welcome back to the the United States.  

As your reward, here's the power ballad 2nd single from the Smashing Pumpkins' epic 1993 album, Siamese Dream.  I remember sitting with my girlfriend (at the time) watching them perform this song on SNL.  They were becoming a big deal then.  I didn't think I'd be talking about this band nearly thirty years later.  

But here I am, and it remains one of my favorite song by the band. 

31 March 2021 - Sarah McLachlan - O Canada / Céline Dion - O Canada

Good evening. This is Wicked Guilty Pleasures, an owned and operated blog of the Wicked Guilty Pleasure Broadcasting Corporation, with a picture signal strength of 77,000 watts and a sound signal strength of 7,500 watts. Our principal transmitter is somewhere inside a Google datacenter, which broadcasts to metropolitan Toronto and areas throughout the world. Repeat transmitters extend our broadcast area to include Wawa, White River, Hornepayne, Manitouwadge, Beardmore, and Geraldton. If you have any comments or suggestions about our programs, please address them to info@wickedguilty.com. We hope you've enjoyed this month's programming. 

And now, our national anthem.

Bonsoir. Il s'agit de Wicked Guilty Pleasures, un blog détenu et exploité par Wicked Guilty Pleasure Broadcasting Corporation, avec une puissance de signal d'image de 77 000 watts et une puissance de signal sonore de 7 500 watts. Notre émetteur principal se trouve quelque part dans un centre de données Google, qui diffuse vers la métropole de Toronto et des régions du monde entier. Les émetteurs de répétition étendent notre zone de diffusion pour inclure Wawa, White River, Hornepayne, Manitouwadge, Beardmore et Geraldton. Si vous avez des commentaires ou des suggestions sur nos programmes, veuillez les adresser à info@wickedguilty.com. Nous espérons que vous avez apprécié la programmation de ce mois.

Et maintenant, notre hymne national.

(Special thanks to CLBT-TV, whose sign-off from the 1990s we shamelessly lifted)