This is one of those songs and bands you've heard, but you may not have known by name.
And yet, you hear this song and you know it instantly.
Produced by George Harrison, this 1971 single was Badfinger's biggest US hit. They were far from a one hit wonder, but their popularity in the US was not as prolific as their associates, The Beatles. However, their slide guitar solo skills are a lot better. Of course, those slide guitar parts were played by George Harrison..... so, maybe not.
But six women ended up winning this show - represent South Korea, Philippines, United States and Switzerland's best... K-Pop artists.
Here is their recent single. It was co-written by Charli XCX and previously offered to Rita Ora and Anitta (who both did record demos of the song that aren't bad). For a manufactured group with not the greatest dancer, they aren't half bad. The video is quite entertaining.
The group also performed the song last month at Lollapalooza.
Notice how we didn't say they "sung". It's very much about the performance.
Adéla Jergová is a singer from Slovakia. Now, we don't talk much about Slovakia here, and that's part of the problem. You see, her singing career really started when she moved to Los Angeles in 2022, aged 18. She moved there to compete in a reality series - Dream Academy - where the prize, in a very Korean-style competition, was to be in a 6-piece group called Katseye.
The show was in 2023, about a year after she moved there to train for the academy, and she competed with twenty other young women. In the first episode, half the women sang, and half danced, and then fan voting occurred. Adéla was on the dancing side - she danced to "Pink Venom" in a group....
...and then the fans got to vote.
The voting ended up being very skewed along national borders - and, since women all over the world were competing, women from populous countries got more votes. Despite her excellent dancing - and she IS an excellent dancer. Classically trained - she literally came in 20th.
This is her dance, singled out from the group. Sorry, she was great compared to the rest of her group.
She was robbed, and if you are watching the Netflix series Pop Star Academy: Katseye, you KNOW that the producers have a lot of regrets about how the fan voting happened. Slovakia was the smallest country represented and it showed in the voting.
Plus she didn't even get to sing.
But that's OK. The first episode of Dream Academy aired August 19, 2023 and by September 2024, she ALREADY had her first solo single released to critical acclaim. This song, released in October 2024, was her second single.... and yeah, it's about her experience.
Her debut EP is coming later this year, and I can't wait, because her poppy electronic sound is super compelling... and frankly better than anything Katseye has done thus far.
You see, I am currently going through a project to listen to 1000 albums in a year, and I asked for suggestions (and, by the way, I'll take more). There are a few bands that were definitely over-recommended - Pink Floyd, Tool, and Incubus were probably the top three.
At this point, I am 1/3 of the way through my little project, and I have listened to one album by each of those bands - which, well, the over-hyping really lowered my expectations on.
The Incubus album I listened to was 8. Even though Alternative Press magazine called it their worst album, I rather enjoyed it. Four stars, guys. This song, the third single from the album, opens Side A and, frankly, it's a stand-out for me. It's a straight-ahead rock sound without being heavy for heavy's sake.
So, whoever suggested Incubus.... bravo.
The thing about solid rock bands - and I have to say, Incubus falls in that category - is that their live performances, like this one from Kuala Lumpur in 2018 - sound just like the studio, but with more crowd noise and shaky camera work.
I was really angry yesterday, because when I wrote that post, I had just listened to an album by that songwriter that I absolutely loved - and I went into it wanting to hate it because of the things she had done.
But here's the thing. The song was really chosen by Jennifer Warnes, and she chose Joe Cocker - not known for his love ballads - as her duet partner, and it was their contrast that made this a great song that I very much did not appreciate when it was new. THEY won a Grammy for this song. THEY sold the song for the Oscar.
And, given that Jennifer Warnes performed on THREE Oscar-winning songs, she knew a thing or two about successful movie songs.
Even though he was much older, and she was just a childhood fan, from this song grew a 30-year friendship. They continued to perform their song together thought the rest of Cocker's life. This was their final performance, in 2013.
I am extraordinarily angry with Buffy Sainte-Marie.
For many years, Sainte-Marie was seen as a pioneering Canadian Indigenous singer-songwriter and an outspoken advocate for Indigenous rights and culture. However, extensive investigative journalism - led notably by CBC’s Fifth Estate - revealed strong evidence that Sainte-Marie was not born into the Cree community, as she long claimed. Instead, her Massachusettsbirth certificate reportedly indicates she was born to white parents - Italian, in fact - contradicting decades of her public narrative.
She was not only not Indigenous - at all - she was also not Canadian - at all. Sainte-Marie, in fact, was a Francophone-sounding version of her birth last name - Santamaria - that her parents changed to due to anti-Italian sentiments after the Second World War.
That, in itself, is pretty bad. But it gets worse.
She spent years claiming an Indigenous identity and then leveraging it - for awards, visibility, resources, and representation, which was meant for other people. By her actions, she told the access of others, and their real First Nations stories. This isn’t just a personal failing but an act that perpetuates erasure, appropriation, and betrayal, especially given how fiercely Sainte-Marie was defended and celebrated for her supposed identity - with statements and threatened lawsuits.
And she claimed she didn't mislead anyone, but this clip from Sesame Street says otherwise.
She may be "real", but her story about her heritage certainly was NOT.
I’m angry because Buffy Sainte-Marie made a career and earned accolades by claiming an identity and heritage that evidence now shows she didn’t have. This isn’t just a personal lie; it’s a harmful act that took away opportunities and space from genuine Indigenous people, betrayed the trust of fans and communities, and undermined the ongoing fight for First Nations voices to be heard and honored.
However, the one thing I cannot take away from her is that she is a songwriter with a rich and long resume. She has won many awards for her songwriting and performing - many of which have rightly been stripped because she earned them at the expense of actual Indigenous voices. However, her Academy Award for Best Original Song - that, I can't take away from her.
She doesn't deserve her Juno Awards, but I can't say she doesn't deserve the Oscar.
This song was featured in the movie An Officer and A Gentleman, and was a huge hit for Joe Cocker and Jennifer Warnes. It was a huge hit, and it was co-written by Buffy Sainte-Marie, in perhaps the most honest moment of her entire career.
It's a real shame, because she made a lot of great music. She's genuinely a gifted musician, and some of her albums are must-listens, even after all this. But she tarnished her own legacy.
Here she is performing the most honest song she ever wrote.
The title song from Snail Mail's second full length album, this is probably the closest thing to a hit she/they have. The stage name of Lindsey Jordan, this project has been met with wide critical acclaim - and with good reason. Jordan writes indie pop with a heart unlike any other artist today.
Personally, I think this is the best modern example of the quiet-loud-quiet structure of music. It opens quiet, and goes to a rockin' chorus. The video is very much a violent Bridgerton homage.
Also, you should be listening to Snail Mail, and now, you have an opportunity.
Of course, Lindsey and her band perform this song an awful lot, and I could have highlighted several performances.
I chose this one for The Current in 2021 because it was the most audible. Also, she sounds amazing and that guitar is very large for her.
But also, this performance from last month, four years after the one above, shows how much Lindsay has matured in those years as an artist.... and also, the guitar doesn't dwarf her anymore.
On Saturday night I was watching Storage Wars and a Michelin commercial came on. I'm not sure if this was the commercial - but this was the song.
It made me remember how absolutely amazing The Chemical Brothers were for a few minutes. Featuring vocals by co-writer Q-Tip and making heavy use of a song by Morrocan singer Najat Aatabou, the song clearly endures more than 20 years after its initial November 2004 release. It also won a Best Dance Recording Grammy in 2006.
The song is a great pump-up and an absolute banger.
Lest you think they made up that beat and did not sample it, here is the Najat Aatabou song.
Also kind of a banger.
I was concerned that I would not be able to find live performances of this song that is so clearly electronica.
I was wrong.
But this version from the 2019 Glastonbury music festival is.... strange and not really cohesive, although the beat is clearly there.
I did, however, find great footage of Najat Aatabou performing her song live.
This is not one of those times. This is a short 2-minutes song by Mumbai-based Adi - a fusion of EDM, hip hop and Bollywood. This is a cool little song, and a very cool self-made video (that he clearly made in California, not Mumbai)....
.... that looked very familiar to old-time Bollywood fans, as Adi was playing the part of Kishore Kumar, an artist he sampled for this song..... and this is the scene from the Bollywood movie - Chalta Ka Naam Gaadi, a 1958 film - where Kumar appeared. Should look familiar, no?
No one really knew when Run DMC hit the scene, but they had a couple of big hits when they hit the studio for their next recording - but they had to wait, since they were not well-established, for rock band Riot to finish recording. Inspired by their rock sound, they recorded a song with heavy rock guitar over their beats...
... and hated it.
So they chose to release a version without guitar.
However, both versions got released, and it was the guitar version that was a huge hit.... and ultimately won the group over.
Because of course it did. This song is a classic.
Run DMC first said a DJ could be a band, according to Public Enemy. This is the song they said that in, by the way..
I mention this now because this live performance with Jam Master Jay on the turntables really illustrates the power of the DJ.
So Jay passed in 2002. This ended Run DMC as a group - they were no more without their band. That doesn't mean that they stopped performing. Here is DMC in 2011, paying tribute to what he called the first rock-rap song.... and he may very well have been right.
Fast forward to 2021, and they did reform for occasional performances..
I am listening to 1000 albums in a year and I'm going so quickly I'm going to be done in six months.
Album #331 was Dry, the debut album by Polly Jean Harvey. And, as I looked back through my drafts, I saw that this, her debut single (although the 2nd one I heard, as it got a rerelease after the success of "Sheela-Na-Gig", which I realize is ALSO in my drafts) was in my drafts.
The song tells a story of a woman who puts on a dress that is clearly uncomfortable to impress a man. He was not impressed. Famed DJ John Peel lauded the "urgency" of the song, and yeah, I hear it.
There was a 2nd video that clearly shows PJ Harvey (the band, not just Polly Jean) playing the song live. I have seen PJ Harvey live, in 1995. It was one of the most disappointing shows I have ever seen, and part of the reason is that I found it passionless - and she didn't perform this song, and she certainly didn't perform with this much energy.
This is fantastic.
But here's the thing.
This was a week later. On the same tour.
THIS was fantastic.
Remembering that this single was released more than 30 years ago, it is incredible to see PJ Harvey - the person, not the band - still performing this song, as she did at the Glastonbury festival last year.
I have to be honest - before about a month ago, I had not thought about Wednesday Week in decades. Then, strangely, because I was looking at other artists and other music - specifically, Don Dixon. Don Dixon, you see, was a great producer, probably best known for his work with R.E.M. and The Smithereens.
He also produced the Wednesday Week debut album, What We Had. And he wrote this song. Wednesday Week was a band that went through a lot of iterations and names before they got to this particular one, but the core of the Los Angeles band was the Callan sister - Kelly and Kristi. They made a couple of albums before breaking up - and becoming another band, called Lucky.
The band's name comes from an Undertones song, and this song, which was also featured in the movie Slumber Party Massacre 2, is their best known.
The band did break up in 1990, but they got back together in 1998 and STILL occasionally perform. This is from a reunion show in 2014.
Also, I kinda hope they get together again. I really enjoyed my trip down memory lane.
Most people didn't know the members of The Sugarcubes outside of Iceland.
However, for most of these musicians, this wasn't their first band. It was, for most of them, at least their third, and some of their past projects had some renown in Iceland. They were, by most measures, a supergroup.
This was their first English-language single that got some pretty heavy rotation on worldwide alternative radio. It all started when renowned British DJ John Peel heard it and played the HELL out of it. Written by Einar Örn Benediktsson and Sigtryggur Baldursson, it literally was the catalyst that propelled Björk Guðmundsdóttir into such a superstar status that she could drop the Guðmundsdóttir.
Also, the song is really cool and full of weird horns. And some really odd lyrics.
But guys.
They were Icelandic, not English.
The band was actually called Sykermolarnir. And this song was called "Ammæli".
In a lot of ways, the song sounds more natural in Icelandic. Probably because it was written in Icelandic and the English version is absolutely a direct translation. Yep, that's right. Those lyrics were there all along. That five year old girl was always threading worms on a string and keeping spiders in her pocket.
So, the Sugarcubes broke up in 1992, but they reunited for one night only in 2006, to celebrate the 20th anniversary of the release of "Ammæli"! And yeah, Björk's voice and Einar's horns were just as fresh as they were 20 years prior.
But yes, during their initial run, they did perform the song in English, and it sounded so amazing, too. It speaks to the talent of these musicians that they could so effortlessly perform in two languages.
